Michael Beeson's Research

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poems about dating

Poems about dating

“Excuse me, miss,” a man said. ‘Is that so?’ A transparent cylindrical tower with a convex top breaks up and out between the gently pointed spruces, an unidentified object hardly flying, and yet, a free-floating tower. Since that first time I heard the story, I knew what my curious but informal research would later prove to be true, which was that the gunshots meant the end of the two girls. For months afterwards, however, when I retold the story to people I wanted to count as friends, people I thought I could impress with a certain proximity to tragedy (here I’m not proud of myself), I was shocked to find that most felt unsatisfied by story’s end. The sound of two gunshots, apparently, couldn’t convince anyone that the two girls were killed. People wanted a clearer picture of the scene. They wanted to see the girls struggling to survive, fighting over the Marlin rifle in the cramped cab of the truck, which must have felt — someone once told me in a kind of prodding voice—“like a kind of coffin, no?” People expressed cautious, politically ambiguous doubt regarding two girls willing to leave home at midnight to meet a strange man. Theywould never blame the victims, they were quick to point out, but wouldn’t it also be likely that girls like these seemed willing — eager, even — to have sex? What else had they gone that night to find? Which precise sequence of events, these people wanted to know, had the power to transform Jim Durant — a creep, to be sure — into a killer? A kestrel was hovering on the midnight-blue air beyond Hickey’s boundary. I watched for a while, waiting for it to swoop. Ships and aircraft were crossing the bay and sky, bodies of light travelling at varying speeds through the darkness. The beacons along the shipping lanes signalled to each other in flashes of red, white and green. They achieved synchronisation, held it for one flash, two, then eased back out again, first into syncopation and then discord, only to relent and approach harmony once more. I could have stood there for hours, willing the beacons into concord again and smiling when it happened. I should have been a lighthouse keeper. The meal was over. When the table was cleared Duncan sat and faced Conawago, who lingered at the hearth, smoking his pipe. I read the small print again. Starting from an unbelievable€379,000. ‘Come on, Dessie. Who in their right mind is going to part with that for a one-bed flat?’ “No,” I said, reminding her impatiently: “You said, if all fags were as nice as us … and then you stopped. Well? Go on. Finish the sentence.” “You won’t tell her, will you?” “On board.” That I’d returned from the Boulevard hours earlier, that I’d spent the entire afternoon listening to her assessment of my sister’s chances of finding a husband in law school, didn’t seem to matter. I had left her, briefly, and now our whole weekend was thrown. “I’m getting on … as men and women do.” Scarab lost, scarab found, scarab lost, scarab found. The days on this journey start in the same manner. What does this mean? Nothing. It’s just the way things go. ‘Getting to him?’ I sighed to indicate that he had broken my concentration and I returned to the beginning of the set. Then there was the time The Police’s “Roxanne” came on the radio. Naturally, everyone looked to the girl in the passenger seat. When the chorus hit, the three boys sang along, laughing as they tried to reach that raspy high note. During the last chorus, Watts — caught up in the fun — put his hands on the shoulders in front of him, leaned in, and sang the girl’s name directly into her ear. They were stalled at a red light. Karinger turned and looked straight at Watts. Kush, meanwhile, homed in on the beautiful new dimple in Karinger’s locked jaw, which he’d never noticed before. For his part, Watts did the onlythree things he could: He removed his hands from the girl, leaned back in his seat, and looked to Kush for help. The light changed, but Karinger didn’t move. He just kept staring at Watts. In her softest voice, Roxanne told her brother to go. He didn’t move. A driver behind them honked his horn. It took another “go” from his sister before Karinger turned and put the accelerator, finally, to use. At about eleven he saw Marisabelle leave the house. She wore a brown skirt and a short fur jacket. Her long gloves were still under her arm, but she started to put them on as she headed towards the centre. How far down does she have to go in order to change direction?.